I visited the Annual Exhibition 2021 of the New English Art Club at the Mall
Galleries on Tuesday – and it was as if everything were normal again. Apart
from the face masks, the galleries were full of the “double jabbed” all keen
to see this year’s artwork
What was odd was that there was rather less of “this pandemic year” than one
might expect. Did artists not think it was relevant – or were they bored of
However, there was some excellent artwork recording life as lived over the last
15 months. I particularly liked the large painting produced by Sarah Godsill
who is an artist who relates to the need to record historical memories. I
couldn’t agree more! I do however think her pricing is VERY ambitious – and I’ll comment more on pricing later…
Spring Lockdown by
whose work centres around figures
Interconnected (right) is by David Cobley
The reality for me is we never ever think war art is unusual – so why, given
there was a LOT of very focused art producing during the Pandemic, is there so
very little in this exhibition? (Given the submissions for the previous exhibition had largely been submitted prior to the pandemic). It just seemed rather odd to me….
it filtered out by the selectors – or did they just not receive enough good
submissions? Will we ever know?
(I’d love to know which it was if anybody would like to tell me!)
The Annual Exhibition 2021
Artists whose work I liked
Below I’m noting the artwork I liked by artists selected through the OPEN ENTRY – with links in their names to their websites.
|Dordogne Landscape by Belinda Crozier
This is “a six footer”!
Which as Constable found is a great way of getting attention
really liked “Dordogne Landscape” by Belinda Crozier who seems to paint mainly portraits and still life. Yet it’s often those who don’t paint landscapes who can pull something out of the bag – because they’re NOT painting “same old same old”. It’s always great to see a big panoramic landscape – and it’s SOLD! (Check out her Instagram)
- A large and impressive painting “Fallen III by Michael Corkrey (who really needs to sort out his ‘presence’ online!)
- I loved the painting of “Derek Jarman at Prospect Cottage” by Ronald Hellen (Acrylic 86 x 66 cm framed). I recognised the subject from the other side of the Gallery! Colours are wonderful – including the pink sky! This is another lockdown painting – although less obviously so. (SOLD)
- Three paintings by Tom Benjamin – a candidate for membership. I take the number of paintings selected from candidates for membership as a good guide as to who has the “inside track”.
- A bright cheerful painting titled “Orange” by Hashim Akib. I’m a big fan of people who paint groups of people and show normal activities – and include some colour! (SOLD)
was very taken by three very painterly paintings by a colourist called
Norman Long who’s also an active outdoor painter – including on streets in the North! His paintings are very seductive and I’m not in the least bit
surprised to see they have ALL SOLD! Those who love murky browns and
dull greys would do well to observe! Norman is also a Candidate for Membership and will have done his chances no harm at all by selling all three paintings! (I also note and hear that others were very impressed with his work too)
|Three paintings by Norman Long
which perform the wonderful trick of becoming more
interesting the closer you get
- Tomas Clayton‘s portrait painting technique produces an immaculate result. I
stand in awe in front of his paintings every time I see them. The
combination of embedded narrative puzzle and amazing skill just makes my
jaw drop… (see cropped example of The Serpent). Interestingly this painting is also a lockdown painting. I
think this is his first exhibit with NEAC – I normally see his
paintings at the Royal Society of Portrait Painters where they are
selected for exhibit on a very regular basis.
‘The Serpent’, a painting about loss, isolation and fear of the air that we breathe.
- I really liked two paintings of ‘everyday still life’ by Sean Cunningham. Very nicely painted and great use of colour. I can’t find anything that looks remotely like a website or social media site online – which is a shame.
In terms of the Hang, I think it makes sense to include the very many smaller paintings by those selected via the Open Entry in the North Gallery – where they looked good together and weren’t swamped by bigger artworks
That in turn opened up the scope in the West Gallery to do something different on the Messanine Wall – which is traditionally home for some of the smaller paintings.
However I’m puzzled as to why this then became home to some very large colourful paintings
|Mezzanine Wall – artworks by Toby Ward NEAC and Laura Smith
(I’m liking what seems to be a new style for Toby Ward)
…..while at the opposite end of the West Gallery we had rather a lot of paintings which quite frankly looked pretty anaemic.
|The end wall of the West Gallery
traditionally the home of the “look at me” artworks
My experience of the Mall Galleries is that you want the big “WOWZER!” pieces on that end wall – because they draw people through the gallery. It’s certainly the first place I traditionally look when I walk into the gallery – what’s making me look to the end in this exhibition. I’m certainly NOT a fan of looking at a sea of browns and greys. They just don’t work when all placed together.
(Note: notable exceptions were the two paintings on the right by Kenneth Le Riche – which were most intriguing)
The East Gallery seemed to be home to a lot of medium to large works – and the colour worked well with the profound greyness of the room – and colour also adds interest to the polished concrete floor too!
|East Gallery – view of The Mall Wall|
|From the Mall Wall of the East Gallery|
I’m going to do the pricing post tomorrow – as I want to check the numbers sold again from the website. Plus I’m going to do a table and charts to reinforce (yet again) some very basic points!
Guess which Gallery had the most sold paintings and which had the least…..